Chords | All about Major: Introduction to major chords |
Chords | All about Minor: Introduction to minor chords |
Chords | Augmented Chord, the Naughty Augmented Chord |
Chords | Captain Obvious explains Dorian |
Chords | Crunchy Chords |
Chords | Dominant 7 Chord: Captain Obvious Solution No. 1 |
Chords | Dominant 7 Chord: Collapse Solution No. 2 |
Chords | Dominant 7 chord: Expanding B, solution No. 4 |
Chords | Dominant 7 Chord: modulating to all keys, Solution No. 6 |
Chords | Dominant 7 Chord: using the Quartet, Solution No. 5 |
Chords | Double sus chords |
Chords | Double sus chords (no narration) |
Chords | Extension Chords: Xb9 chord |
Chords | German 6th Chord PART TWO2 |
Chords | German 6th Part One. This is a redo. My first try was totally unclear |
Chords | Half Diminished Chord |
Chords | How the Dominant 7 Chord got its name |
Chords | Incomplete Chords |
Chords | Incomplete Diminished Chord: shapeshifter chord |
Chords | May the 4th Be with You! |
Chords | Minor Chords as Oreo Cookies |
Chords | Portal Chord: Diminished Chord |
Chords | Primary chords linked to Twinkle Twinkle Little Star |
Chords | Quartet of Chords |
Chords | Seven Chords: Three Cousins |
Chords | Slippery Augmented Chords for Modulations to all 12 keys |
Chords | The Four Qualities of Chords |
Chords | The Incomplete Diminished Chord |
Chords | The Sharp 9 Chord |
Chords | The trinity of chords |
Chords | Trinity of Major Chords |
Chords | Two crunchy double sus chords |
Chords | Virtuoso Tchaikovsky Morphs |
Chords | X7: Dominance and resolution |
Chords | Xmb6: More about 6ths, and how Beethoven used the Xmb6 chord |
Circle of 5ths | Circle of 4ths |
Figured bass | All major chords with figured bass |
Figured bass | Figured Bass and modern letter chords |
History | Music in the year 1878 |
Intervals | 00: Unison, the first of all intervals |
Intervals | 01: Tone, major 2nd and diminished 3rd |
Intervals | 01: Tone:Half tone |
Intervals | 02: Tone |
Intervals | 03: Fat Tone |
Intervals | 04: Bitone, another name for major 3rd and diminished 4th |
Intervals | 05: 4ths, one of the backbones of music. |
Intervals | 06: Tritone: 3 tones, two fat tones, augmented 4th, diminished 5th |
Intervals | 07: 5th, no other name necessary |
Intervals | 08: Quad: minor 6th and augmented 5th |
Intervals | 09: 3 Fat: an easy name for major 6 and diminished 7 intervals |
Intervals | 10: Dom 7, Regular 7, minor 7 and augmented 6 |
Intervals | 10: Dominant 7 interval: The interval that fits the dominant 7th chord |
Intervals | 11: Maj 7 and Diminished Octave |
Intervals | 11: The confusion of the maj7 interval and the Xmaj7 chord |
Intervals | 3rds in Wonderland |
Intervals | Black Fat Tones |
Intervals | Focus on 6ths |
Intervals | Interval Overview |
Intervals | The Awful 7 problem |
Intervals | When Escher Intervals Get Really Weird |
Keys | Key Signatures Part 1: Mastering Sharps |
Keys | Key Signatures Part 2: Mastering Flats |
Keys | Key Signatures: Do we need them? |
Miscellaneous | My Rant about Bloviating |
Miscellaneous | Playing by ear and reading scores |
Miscellaneous | Spinning Plates |
Modes | All Major Modes |
Morphing | Diatonic morphing |
Posture | Good Posture: Why it’s so important |
Roman numerals | Berklee Roman numerals |
Scales | All minor modes |
Scales | Captain Obvious explains Lydian |
Scales | Captain Obvious explains Mixolydian |
Scales | Four Important Harmonic Scales |
Scales | Ionian mode vs Major |
Scales | Loki and Locrian |
Scales | Octatonic: How it works |
Scales | Playing White Modes |
Scales | Why are there 16 major scales? |
Scales | Why are there 16 minor scales? |
Scales | Why too many names is a problem: the worst scale name in music. |
Theory | Jazz Theory Works Better |
Tuning | Mean tone tuning versus equal temperament |