| Chords | All about Major: Introduction to major chords |
| Chords | All about Minor: Introduction to minor chords |
| Chords | Augmented Chord, the Naughty Augmented Chord |
| Chords | Captain Obvious explains Dorian |
| Chords | Crunchy Chords |
| Chords | Dominant 7 Chord: Captain Obvious Solution No. 1 |
| Chords | Dominant 7 Chord: Collapse Solution No. 2 |
| Chords | Dominant 7 chord: Expanding B, solution No. 4 |
| Chords | Dominant 7 Chord: modulating to all keys, Solution No. 6 |
| Chords | Dominant 7 Chord: using the Quartet, Solution No. 5 |
| Chords | Double sus chords |
| Chords | Double sus chords (no narration) |
| Chords | Extension Chords: Xb9 chord |
| Chords | German 6th Chord PART TWO2 |
| Chords | German 6th Part One. This is a redo. My first try was totally unclear |
| Chords | Half Diminished Chord |
| Chords | How the Dominant 7 Chord got its name |
| Chords | Incomplete Chords |
| Chords | Incomplete Diminished Chord: shapeshifter chord |
| Chords | May the 4th Be with You! |
| Chords | Minor Chords as Oreo Cookies |
| Chords | Portal Chord: Diminished Chord |
| Chords | Primary chords linked to Twinkle Twinkle Little Star |
| Chords | Quartet of Chords |
| Chords | Seven Chords: Three Cousins |
| Chords | Slippery Augmented Chords for Modulations to all 12 keys |
| Chords | The Four Qualities of Chords |
| Chords | The Incomplete Diminished Chord |
| Chords | The Sharp 9 Chord |
| Chords | The trinity of chords |
| Chords | Trinity of Major Chords |
| Chords | Two crunchy double sus chords |
| Chords | Virtuoso Tchaikovsky Morphs |
| Chords | X7: Dominance and resolution |
| Chords | Xmb6: More about 6ths, and how Beethoven used the Xmb6 chord |
| Circle of 5ths | Circle of 4ths |
| Figured bass | All major chords with figured bass |
| Figured bass | Figured Bass and modern letter chords |
| History | Music in the year 1878 |
| Intervals | 00: Unison, the first of all intervals |
| Intervals | 01: Tone, major 2nd and diminished 3rd |
| Intervals | 01: Tone:Half tone |
| Intervals | 02: Tone |
| Intervals | 03: Fat Tone |
| Intervals | 04: Bitone, another name for major 3rd and diminished 4th |
| Intervals | 05: 4ths, one of the backbones of music. |
| Intervals | 06: Tritone: 3 tones, two fat tones, augmented 4th, diminished 5th |
| Intervals | 07: 5th, no other name necessary |
| Intervals | 08: Quad: minor 6th and augmented 5th |
| Intervals | 09: 3 Fat: an easy name for major 6 and diminished 7 intervals |
| Intervals | 10: Dom 7, Regular 7, minor 7 and augmented 6 |
| Intervals | 10: Dominant 7 interval: The interval that fits the dominant 7th chord |
| Intervals | 11: Maj 7 and Diminished Octave |
| Intervals | 11: The confusion of the maj7 interval and the Xmaj7 chord |
| Intervals | 3rds in Wonderland |
| Intervals | Black Fat Tones |
| Intervals | Focus on 6ths |
| Intervals | Interval Overview |
| Intervals | The Awful 7 problem |
| Intervals | When Escher Intervals Get Really Weird |
| Keys | Key Signatures Part 1: Mastering Sharps |
| Keys | Key Signatures Part 2: Mastering Flats |
| Keys | Key Signatures: Do we need them? |
| Miscellaneous | My Rant about Bloviating |
| Miscellaneous | Playing by ear and reading scores |
| Miscellaneous | Spinning Plates |
| Modes | All Major Modes |
| Morphing | Diatonic morphing |
| Posture | Good Posture: Why it’s so important |
| Roman numerals | Berklee Roman numerals |
| Scales | All minor modes |
| Scales | Captain Obvious explains Lydian |
| Scales | Captain Obvious explains Mixolydian |
| Scales | Four Important Harmonic Scales |
| Scales | Ionian mode vs Major |
| Scales | Loki and Locrian |
| Scales | Octatonic: How it works |
| Scales | Playing White Modes |
| Scales | Why are there 16 major scales? |
| Scales | Why are there 16 minor scales? |
| Scales | Why too many names is a problem: the worst scale name in music. |
| Theory | Jazz Theory Works Better |
| Tuning | Mean tone tuning versus equal temperament |
